How can architects build a new world of sustainable beauty? By learning from nature. At TEDSalon in London, Michael Pawlyn describes three habits of nature that could transform architecture and society: radical resource efficiency, closed loops, and drawing energy from the sun.
a lot has been written on how architecture has been influenced by music (or cinema). --- ---- But here is a view the other way round. How music has been influenced by the surrounding architecture or the context. Do we subconsciously make music to fit the spaces we occupy? Do we make art to fit galleries? General or the traditional way to think about creativity is to say, first come the passion then the emotional outpouring of it which only as the last stage will be shaped in to the context or the space. But apparently this is not not entirely so. The very emotions the make the art or the music itself is preconditioned by the space or the context. there fore the music is 'ready made' for the space or the architecture to which the musician (in this case) associate him or her self with. Listen to David Byrne.
Cool series of short movies from BMW.
People who like these may also want to watch;
John Frankenheimer's Ronin
Ang Lee's Crouching Tiger, Hidden Dragon
Wong Kar-wai's Chungking Express
Guy Ritchie's Lock, Stock and Two Smoking Barrels
Alejandro González Iñárritu's 21 Grams
John Woo's The Killer
Joe Carnahan's A Team (the movie)
Tony Scott's Top Gun
"Eastern Needs and American Desires" by Dr. Anuththaradevi Widyalankara, a Fulbright Scholar, on contemporary Sri Lankan architecture, delivered at the Savannah School of Art & Design, USA (on SCAD tv)
If Geoffrey is the ‘ying’ of Sri Lanka architecture, here is the ‘yang’ for you. Though both Geoffrey and Valentine had their architectural upbringing firmly rooted in the mid 20th centaury modernism, they have taken different path once upon their return this ‘beautiful’ island. While Geoffrey moved towards a more ‘vernacular / regional’ (a whole topic by itself for another day) style, Valentine decided to stay the dyed in the wool modernist.
This book explores the reasons for such an approach and the resultant work, his professional relationship with Geoffrey and more importantly the socio –cultural background within which all those things happened. It is, in addition to a monograph of Valentine’s work, is almost a critical analysis of the caste and religious dynamics of the early part of post independent Sri Lanka.
But be warned, this is not your usual coffee table architectural book. It can be bit heavy reading at the beginning, but nevertheless a good book. And if you are a student of Sri Lankan architecture it is a must.